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Drew Barrymore and Jimmy Fallon Are the Worst Perfume Sales People Ever (Video)

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Jimmy Fallon and actress Drew Barrymore proved to be really bad at selling perfume on Tuesday’s “Tonight Show.”

The two teamed up for a sketch revolving around two weirdos asking department store customers if they, “wanna spritz?”

Or a “spratz,” “spratzle,” “spritzle” and “razzle dazzle sprizzle sprazzle.”

Barrymore appeared on the NBC late-night show to promote her Esquire Network reality competition series, “Knife Fight,” which will return for a third season next year, and talk about baby weight.

It’s unclear why they thought a sketch about spraying people with a scented mist was relevant, but watch it above, if you must.

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‘Scream’ MTV Series Will Feature Bella Thorne as Drew Barrymore’s Character

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Bella Thorne just gave out a major spoiler for MTV’s upcoming “Scream” series, so if you hate reading about them, just stop right now.

The former Disney star told a fan during a Yahoo! Celebrity Facebook Q&A that rumors are true that she’ll appear in the first episode of the television adaptation of Kevin Williamson‘s serial killer franchise, and she won’t be around for long.

“I will re-enact the famous scene of Drew Barrymore in the original,” Thorne said.

For those who don’t remember, Barrymore’s death kicked off the horrific events in Wes Craven‘s 1996 horror movie, which spawned three sequels — with another on the way.

The actress’ character, Casey Becker, was the first to get gutted by Ghostface after receiving a mysterious phone call from a stranger asking, “What’s your favorite scary movie?”

“Scream” is set to premiere in 2015 with Willa Fitzgerald, Amy Forsyth, John Karna, Carlson Young and Amadeus Serafini in starring roles.

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Why Hollywood Isn’t Freaking Over Bummer 2014 Box Office

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With the holiday season soft, it’s clear the 2014 domestic box office is going to wind up down from last year by nearly 5 percent. So why aren’t we hearing more groans and gnashing of teeth from Hollywood executives?

It’s because despite the downturn, the majority of the studios made money on their movies. Fox, Disney, Paramount, Universal, Warner Bros. and Sony should all — to varying degrees — wind up in the black on their film slates.

The fact that 2015 has a shot to be the biggest on record is brightening Hollywood’s mood, too. Among the heavyweight films set for release: “Avengers: Age of Ultron,” “Star Wars: The Force Awakens,” “Jurassic World,” along with the next James Bond film “Spectre” and the “Hunger Games” finale.

So why was the year down from 2013’s record-breaking haul?

One reason was that this year’s highest-grossing movies didn’t hit the heights that 2013’s did, with no film topping $400 million domestically.

Marvel and Disney’s “Guardians of the Galaxy” is the year’s top film domestically with $332 million, followed by Lionsgate’s “The Hunger Games: Mockingjay – Part 1” ($289 million) and another Marvel-Disney release, “Captain America: The Winter Soldier” ($260 million).

Last year, “The Hunger Games: Catching Fire” was No. 1 with $425 million, followed by “Iron Man 3” ($409 million) and “Frozen” ($401 million). That’s a difference of $354 million.

The year took a big hit before it began, with Universal forced to push “Fast & Furious 7” to 2015 following the death of star Paul Walker. The studio’s “Minions” movie will be released in the new year, as well. Disney also delayed Pixar’s “Good Dinosaur.” All had the potential to hit $250 million, which would have moved the needle.

Lower production costs had a lot to do with the studios’ positive bottom lines. Despite the record, 2013 had several megabudget bombs, but this year’s priciest movies connected for the most part. And when movies missed, the hit wasn’t as bad, because the budgets were tighter.

Of the films with $200 million–plus budgets, Paramount’s “Transformers: Age of Extinction,” Fox’s “X-Men: Days of Future Past” and Warner Bros.’ “The Hobbit: Battle of the Five Armies” were all big winners, while Sony’s “The Amazing Spider-Man 2” needed a solid overseas run to overcome an underwhelming domestic performance.

There were no giant bombs, but plenty of high-profile flops, including Johnny Depp’s “Transcendence” and Sly Stallone’s “Expendables 3.”

Here’s a studio-by-studio look at the year, with some of the bigger independent film companies included:

20th Century Fox: This was a tremendous year for the studio, which saw its box office returns spike by 69 percent over 2013, as it posted its best year ever at $1.7 billion. Its biggest films, the “X-Men” sequel and “Dawn of the Planet of the Apes,” both delivered domestically, with $234 million and $209 million, respectively. But the surprising strength of the long-playing David Fincher mystery “Gone Girl,” the tearjerker “The Fault in Our Stars” and the low-budget comedy “Let’s Be Cops” helped a lot, too. The weepy teen romance was one of the year’s biggest films in terms of return on investment, grossing $125 million on a $12 million budget, but “Let’s Be Cops” wasn’t far behind with $82 million on a $17 million budget. Fox seized the studio market-share lead early in the year and will keep it, despite a so-so showing by “Exodus: Gods and Kings” and a slow start for “Night at Museum: Secret of the Tomb.”

Disney: “Guardians of the Galaxy,” featuring a gang of Marvel’s lesser-known superheroes, including an armed raccoon and a talking tree, was the summer and year’s biggest surprise and highest-grossing film. “Maleficent,” a female-driven live-action take on the “Sleeping Beauty” tale and starring Angelina Jolie” href=”http://www.thewrap.com/tag/angelina_jolie/” target=”_blank”>Angelina Jolie, held its own alongside the superheroes with over $240 million. Disney Animation’s “Big Hero 6” knocked off “Interstellar” with its $56 million November debut. “Alexander and the Terrible, Horrible, No Good, Very Bad Day” more than doubled its $28 million budget, but “Muppets Most Wanted” was a miss. “Into the Woods,” the Rob Marshall musical, rolls out on Christmas Day.

Warner Bros.: It was the most prolific studio with 21 wide releases, and benefited greatly from several mid- to low-budget hits. Only two have made it to more than $200 million domestically so far, but it’s just a matter of time for “The Hobbit: The Battle of the Five Armies,” which should ultimately hit $270 million. Phil Lord and Chris Miller’s “The LEGO Movie” was the year’s highest-grossing animated film with $258 million and just as significantly launched a franchise, while “Godzilla” stomped to $201 million and spawned a sequel. Tom Cruise’s sci-fi thriller “Edge of Tomorrow” did most of its damage overseas, but still hit $100 million, as did the sequel “300: Rise of an Empire” and Melissa McCarthy’s “Tammy,” which cost $20 million to make. “Annabelle,” a spinoff from “The Conjuring,” was an even bigger bargain, taking in $84 million on a $6.5 million production budget. Another big return came from the teen romance “If I Stay,” which did $50 million on an $11 million budget. The musical “Jersey Boys,” Robert Downey Jr.‘s “The Judge,” “Horrible Bosses 2,” the Adam SandlerDrew Barrymore comedy “Blended” and “Dolphin Tale 2” all underwhelmed, but none cost more than $42 million to make. The sci-fi saga “Transcendence” and the Colin Farrell fantasy-romance “Winter’s Tale” were among the year’s biggest bombs. The Clint Eastwood–directed “American Sniper,” starring Bradley Cooper, opens in limited release on Christmas Day.

Paramount: The fourth entry in Michael Bay’s rampaging-robots tale “Transformers: Age of Extinction” posted the year’s only $100 million opening and is the lone 2014 movie to gross more than $1 billion worldwide. But its $245 million domestic take was dwarfed by the $301 million it made in China. “Teenage Mutant Ninja Turtles,” which came out 24 years after the previous film in the series, helped lead the box office to an August record. Christopher Nolan’s space epic “Interstellar” is at $170 million and still orbiting, and Darren Aronofsky’s Bible tale “Noah” eventually made it to $100 million. But “Hercules,” the $100 million sword-and-sandals saga starring The Rock, fizzled and so did “Jack Ryan: Shadow Recruit” with Chris Pine. With a $5 million budget, “Paranormal Activity: The Marked Ones” made money, but hit a low for the horror franchise. And writer-director Jason Reitman had two box-office bummers: the Kate WinsletJosh Brolin drama “Labor Day” and “Men, Women and Children.” The studio rolls out “Selma,” the Ava Duvernay historical drama, and “The Gambler” on Christmas Day.

Sony: “The Amazing Spider-Man 2” was the studio’s most-expensive and top-grossing film, but the Marvel sequel’s $202 million domestic total felt like franchise fatigue. The breakout of the Channing TatumJonah Hill comedy sequel, which took in $191 million, was the studio’s finest moment. Denzel Washington‘s “The Equalizer,” the faith-based “Heaven Is for Real” and Kevin Hart’s “Think Like a Man Too” were all wins, as were Brad Pitt’s “Fury,” the thriller “No Good Deed” and the “About Last Night” remake, to a lesser degree. But the studio missed with George Clooney’s “Monuments Men,” the “Robocop” remake, the faith-based comedy “Mom’s Night Out” and the horror tale “Deliver Us From Evil.” On Christmas Day, the Seth RogenJames Franco comedy “The Interview” will roll out after all, in around 200 selected theaters.

Universal: With “Fast & Furious 7” and the “Minions” movie moved to 2015, the studio had to make do without any films with real blockbuster potential. Despite that, the studio had seven No. 1 movies, the same as market-share leader Fox. Taking the top spot were mid-range budgeted films, including the frat comedy “Neighbors,” the Kevin HartIce Cube comedy “Ride Along,” Scarlett Johansson’s sci-fi tale “Lucy,” Liam Neeson’s “Non-Stop,” the war saga “Lone Survivor,” the long-gestating sequel “Dumb and Dumber To” and the teen horror film “Ouija.” The studio’s biggest score was “Neighbors,” which opened to $49 million in February and went on to take in $150 million. But Seth MacFarlane‘s comedy Western “A Million Ways to Die in the West” went boots up. “Unbroken,” the Angelina Jolie–directed biopic about war hero Louis Zamperini, debuts on Christmas Day.

Lionsgate: Despite the major success of young adult films “The Hunger Games: Mockingjay – Part 1” and the franchise-launching “Divergent,” the studio’s domestic grosses are off $330 million from its $1.06 billion 2013 haul as Lionsgate distributed only 10 wide releases in 2014 compared to 13 last year. Keanu Reeves’ well-reviewed assassin thriller “John Wick” and Lionsgate/Codeblack’s “Addicted” were bright spots, while “Draft Day,” “I, Frankenstein” and “Tyler Perry’s The Single Mom’s Club” underperformed and “Expendables 3,” hit by piracy, misfired.

The Weinstein Company: Other than “The Giver” and the Bill Murray comedy “St. Vincent,” both of which topped $40 million domestically, this was a down year. TWC is among the best at turning awards into box-office business, however, and “The Imitation Game” and Tim Burton’s upcoming “Big Eyes” are still in that game. “Begin Again,” “The Immigrant” and “The Disappearance of Eleanor Rigby” failed to connect, and “Vampire Academy” and “Frank Miller’s Sin City: A Dame to Kill For” were misses, too.

DreamWorks: Lasse Hallstrom’s restaurant tale “Hundred-Foot Journey” doubled its $22 million budget. But the hot car tale “Need for Speed,” starring Aaron Paul of TV’s “Breaking Bad,” disappointed with $43 million. It was smash in China, however, bringing in $66 million there.

DreamWorks Animation: “How to Train Your Dragon 2” soared to $177 million, but didn’t hit the heights the studio had hoped for. The same was true for “Mr. Peabody and Sherman” ($111 million) and “Penguins of Madagascar,” which has slowed down at $64 million after four weeks.

Relativity Studios: Its low-budget, narrow-profit margin formula works, and it would have worked even better had even one of its films broken out. But the strategy also prevents big losses from a single film. The kids movie “Earth to Echo” was its highest-grossing release with $39 million. The horror film “Oculus” became the highest-grossing movie to come out of the 2013 Toronto Film Festival, taking in $27 million on a $5 million budget.

Open Road: It had its biggest animated hit ever with “The Nut Job,” which was its highest-grossing release with $64 million. Jon Favreau’s food-truck comedy “Chef” became the summer’s biggest indie hit with $31 million, and the Jake Gyllenhaal thriller “Nightcrawler” is at that same figure and still playing. “Rosewater,” the political drama written and directed by

Fox Searchlight: The niche label had the year’s biggest indie hit with writer-director Wes Anderson’s “The Grand Budapest Hotel,” which took in $59 million. Two other awards hopefuls, “Birdman” and “Wild,” have done well. Alejandro Iñárritu’s dark comedy is up to $21 million, and the Reese Witherspoon survival saga crashed the top 10 in its third-week expansion last weekend.

Focus Features: “The Theory of Everything” was its highest-profile release, and the Stephen Hawking biopic starring Eddie Redmayne and Felicity Jones will get a boost if it can score in awards season. But its top-grossing film was the Laika Entertainment animated kids film “The Boxtrolls,” which took in just over $50 million.

Freestyle Releasing: Its biggest hit was the faith-based indie film “God’s Not Dead.” Made for $2 million, it took in $60 million and was part of string of successful religious-themed films in the spring. “Left Behind,” a remake of Kirk Cameron’s 2000 film that starred Nicolas Cage, drew a lot of media attention, but not enough moviegoers.

Sony Classics: Awards hopefuls “Whiplash” and “Foxcatcher” are its best hopes to turn around a tough year. To date, its top-grossing film has been “Magic in the Moonlight,” which at $10 million is Woody Allen’s weakest release in years.

Roadside Attractions: The spy thriller “A Most Wanted Man,” starring the late Philip Seymour Hoffman, was its only film to gross more than $6 million.

IFC Films: It’s all about writer-director Richard Linklater’s 12-years-in-the-making “Boyhood.” The real-life coming-of-age tale has taken in $24 million and has an inside track on a Best Picture Oscar nomination, which would likely bring a re-release.

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‘Fifty Shades of Grey’ Lovers Jamie Dornan, Dakota Johnson Line Up Co-Stars for New Projects

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“Fifty Shades of Grey” stars Jamie Dornan and Dakota Johnson have found new co-stars for their upcoming projects, TheWrap has learned.

Guillaume Canet (“The Beach”) will join Dornan in Richie Smyth’s “Jadotville,” while Johnson has joined Alison Brie in New Line’s romantic comedy “How to Be Single,” which has also added Rebel Wilson, Dan Stevens and Leslie Mann.

Kevin Brodbin (“Constantine”) wrote “Jadotville,” which is a geopolitical thriller set against the backdrop of war that Alan Moloney is producing under his Parallel Films banner.

Dornan stars as Irish Commandant Pat Quinlan, who leads a stand-off with troops against French and Belgian mercenaries in the Congo during in the early 1960’s. Canet will portray the Frenchman Falquez, Quinlan’s enemy.

Bloom has come on to handle international sales on “Jadotville” and will introduce the film to foreign buyers at the EFM in Berlin next week.  Domestic rights are being repped by UTA Independent Film Group. “Jadotville” is an Irish-South African co-production, which will begin shooting in the spring in South Africa.

“We are always trying to find amazing stories to tell and this extraordinary true story of heroism against all odds is just that. To see Jamie, who is one of the most exciting leading men working today, alongside Guillaume, is a fantastic opportunity,” said Bloom’s Alex Walton.

As for “How to Be Single,” Christian Ditter is directing from a script by Dana Fox who worked off a script by Abby Kohn and Marc Silverstein. The film is based on the novel of the same name by Liz Tuccillo that was published by Atria in 2008, and production will begin in April in New York. New Line will release the film on Feb. 12, 2016 — just in time for Valentine’s Day.

Spanning a multi-year period, “How to Be Single” is an ensemble comedy that suggests it is not our relationships, but our single times in between, that truly define us. The film will aim to honestly portray both the male and female views of singlehood. Additionally, the film will look at relatable issues such as online dating, casual sex, blind dating, the debate about how long to wait before having children, when to get married and the fear of commitment.

John Rickard will produce with Fox, while Drew Barrymore, Nancy Juvonen and Marcus Viscidi will serve as executive producers. New Line executives Michael Disco and Dave Neustadter will oversee the project for the studio.

Dornan and Johnson are poised for stardom, with “Fifty Shades of Grey” tracking strong as its Feb. 13 release date nears. Dornan also has “The 9th Life of Louis Drax” on the horizon, while Johnson has wrapped “Black Mass” and “A Bigger Splash.”

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Bella Thorne to Star as Heroin Addict in Lifetime Movie ‘Perfect High’

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Former Disney starlet Bella Thorne is playing a heroin addicted suburbanite in an upcoming Lifetime movie, “Perfect High.”

The actress plays Amanda, a high school dancer who starts using prescription painkillers after being sidelined by a knee injury and eventually falls in with the wrong crowd, which includes Israel Broussard (“The Bling Ring”), Daniela Bobadilla (“Anger Management”) and Ross Butler (“Teen Beach Movie”). Thorne’s character is eventually tricked into doing heroin disguised as cheap pain killers and addiction ensues.

Tina Pehme and Kim C. Roberts of Vancouver-based Sepia Films and Sheri Singe of LA-based Just Singer Entertainment are executive producing the film, which went into production on Feb. 1 . Vanessa Parise (“Jack and Jill vs. the World,” “Kiss the Bride”) is directing the film, which Anne-Marie Hess has written.

As TheWrap exclusively reported, Thorne plays Mae Whitman’s antagonist in CBS Films’ upcoming teen comedy “The Duff.” Thorne is also currently in production on the upcoming MTV pilot “Scream” — where’s she will play Drew Barrymore‘s character from the film — and has finished shooting a horror flick, “Amityville: The Awakening.”

Despite her recent push for darker and more mature roles, of which “Perfect High” will certainly be one, Thorne remains best known for her work with Disney, including starring as CeCe Jones on 75 episodes of “Shake It Up!,” which wrapped in 2013. She also worked with Disney Studios on the adaptation of the popular children’s book “Alexander and the Terrible, Horrible, No Good, Very Bad Day.”

WME, LBI Entertainment and Hirsch Wallerstein Hayum Matlof and Fishman represent Thorne.

Here is one of the first images from the production:

“Perfect High”/Sepia Films

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Albert Maysles, ‘Grey Gardens’ Filmmaker, Dead at 88

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Albert Maysles, the documentary filmmaker who, with his brother David Maysles, was responsible for films including “Grey Gardens” and “Gimme Shelter,” died Thursday night at his home in New York City following a battle with cancer, his family said Friday. He was 88.

“It is with great sadness that we announce the passing of our father, following a brief battle with cancer. Albert was a loving husband, father, brother as well as a friend to many. For more than five decades,” his family said in a statement. “Albert created groundbreaking films, inspired filmmakers and touched all those with his humanity, presence and his belief in the power of love. He was also a teacher, mentor and a source of inspiration for countless filmmakers, artists and everyday people.”

Masyles documentary center executive producer Erika Dilday echoed the family’s sentiments, noting, “While we mourn the loss of Albert, we also celebrate his remarkable life and hope that it serves as inspiration to people around the world to be willing to push themselves creatively and take the time to observe and reflect on life as it unfolds.”

Maysles’ career as a filmmaker began after teaching psychology at Boston University for three years. After visiting Russia to photograph a mental hospital, he filmed his first documentary, 1955’s “Psychiatry in Russia.”

His partnership with brother David yielded numerous works over the span of multiple decades, including 1964’s “What’s Happening! The Beatles in the USA” and the 1970 documentary “Gimme Shelter,” which chronicled the tail end of the Rolling Stones’ 1969 tour of the United states. That tour included the tragic free concert at California’s Altamont Speedway, a violent event that was marked by the stabbing death of attendee Meredith Hunter.

Another notable entry for the Maysles brothers arrived in 1975 in the form of “Grey Gardens,” about the prickly relationship between a mother-daughter pair of reclusive socialites, both named Edith Beale, who lived in a dilapidated mansion in East Hampton. A cult classic, the film spawned a musical and later an HBO film starring Jessica Lange and Drew Barrymore. Albert and David were portrayed by Arye Gross and Louis Ferreira (under the name Justin Louis) in the film, respectively.

David Maysles died after suffering a stroke in 1987. He was 55. Following David’s death, Albert would continue to make films, including “Lalee’s Kin: The Legacy of Cotton,” for which he received the Sundance Film Festival 2001 Cinematography Award for Documentaries.

In 2014, Maysles received the National Medal of Arts from President Barack Obama.

During his long career, Maysles also received a Guggenheim Fellowship, two Peabody Awards and three Emmys, among other accolades.

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GLAAD Media Awards 2015 Winners: Kerry Washington, ‘How to Get Away with Murder’ Honored (Complete List)

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Actress Kerry Washington, director Roland Emmerich and TV hits including “How to Get Away with Murder” were saluted in Beverly Hills Saturday, as GLAAD held its annual Los Angeles Media Awards ceremony at the Beverly Hilton Hotel.

Washington accepted the Vanguard Award from presenter Ellen DeGeneres, a prize handed to a significant ally of the LGBT community. She joins a prestigious group of former winners includuing Jennifer Aniston, Elizabeth Taylor, Aaron Spelling and Drew Barrymore.

Emmerich received the Stephen F. Kolzak Award from Channing Tatum, highlighting those working to eliminate homophobia within the entertainment industry.

“Transparent” and “How to Get Away with Murder” won best comedy and drama series respectively, with outstanding film going to The Weinstein Company’s “The Imitation Game.”

Read the complete list of 2015 GLAAD Media Awards Winners:

Vanguard Award:
Kerry Washington (presented by Ellen DeGeneres)

Stephen F. Kolzak Award:
Roland Emmerich (presented by Channing Tatum)

Outstanding Film – Wide Release:
The Imitation Game, The Weinstein Company (accepted by screenwriter Graham Moore and producer Ido Ostrowsky)

Outstanding Drama Series:
How to Get Away with Murder, ABC  (accepted by creator Peter Nowalk with stars Viola Davis, Jack Falahee, Matt McGorry, and Aja Naomi King)

Outstanding Comedy Series:
Transparent, Amazon Instant Video (accepted by creator Jill Soloway with stars Amy Landecker, Jay Duplass, Alexandra Billings, Kiersey Clemons, Michaela Watkins, and Alison Sudol, and co-producer Rhys Ernst)

Outstanding Individual Episode (in a series without a regular LGBT character):
“Identity Crisis, ” Drop Dead Diva, Lifetime

Outstanding TV Movie or Mini-Series:
“The Normal Heart,” HBO

Outstanding Music Artist:
Against Me!, Transgender Dysphoria Blues, Xtra Mile Recordings

Outstanding Daily Drama:
“Days of Our Lives,” NBC

Outstanding Comic Book:
“Rat Queens,” written by Kurtis J. Wiebe (Image Comics)

Outstanding Digital Journalism Article:
“31 Days of PrEP,” Advocate.com

Outstanding Blog:
Autostraddle.com

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TLC Greenlights ‘What Not to Wear’s’ Clinton Kelly Return, Best Friends’ Marriage Pact Series, Quinceanera Show

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TLC presented another ambitious 2015-16 slate during its Upfront presentation to advertisers on Tuesday.

Of the cable’s planned 500 hours of original programming, which includes 50 new and returning shows over the next year, are new offering in its three content areas: Family, style and life’s milestones.

After the successful return of “What Not to Wear” co-host Stacy London’s makeover show “Love, Lust or Run,” TLC has greenlit a new series for her former co-host Clinton Kelly. On “Swipe Right (Working Title),” Kelly and co-host Devyn Simone consider the new world of dating via apps like Tinder and not only look to make over their guests, but will also transform their social media profile. Jane Street Entertainment will produce the series.

TLC also ventures into a couple “social experiment” shows. One in particular tests whether best friends make better spouses on “Marriage Pact (Working Title)” from “Top Chef” producers Magical Elves. Another series hands the reins to the parents on Thinkfactory Media’s “Married by Mom and Dad (Working Title).”

With the success of their series and specials about obesity, TLC venture into the weight loss game with an untitled show from 3Ball Productions in which each episode focuses on a person who’s ready to take the next romantic step — not too fast — after 90 days of slimming down and other goal seeking.

Another interesting element in the upfront slate has its roots in TLC’s focus on subcultures. Like the over the top Gypsy celebrations, “Quinceañera (working title)” goes behind the scenes of planning the elaborate birthday parties for 15-year-olds in Latin American families. High Noon Entertainment will produce.

The cable network enters the new programming season after wrapping 2014 with more than 30 series averaging more than a million viewers. In addition to new hits like “Love, Lust and Run” and “My Big Fat Fabulous Life,” the channel’s longtime favorites “Sister Wives,” “19 Kids and Counting” and “The Little Couple” have been delivering high ratings.

On the social media front, TLC has experienced a 27 percent increase in average monthly engaged users on its Facebook pages from 2013-2014 and ranked in the Top 5 most social cable networks for reality programming.

“Our viewers, who we call affectionately our ‘heart seekers,’ come to us for a sense of community – to share their own lives and the real lives of the people on TLC, said TLC general manager Nancy Daniels.

She continued, “Our characters’ lives continue outside of the traditional television season, and we want our viewers to stay connected and engaged all year long. By creating multiple ways for our audience to interact with our brand, we’re able to build a deeper connection and ensure we’re invited back into living rooms, onto tablets and all screens, and throughout social media feeds across the country,”

See TLC’s list of upcoming series and specials below:

FAMILY
Long Lost Family – New series, 1Q 2015
This series helps people reunite with the family, friends, or loved ones they’ve desperately been seeking. (Shed Media)

Hardly Royal (working title) – New series, 3Q 2015
Maryland native David Drew has a story we all dream about. Several years ago, after some web surfing, this blue-collar car repair advisor discovered that he descends from a long line of British royalty. David’s discovery confirmed that he is heir and rightful King of the Isle of Mann in the United Kingdom, and now it’s time for him and his family to see if they can not only claim his
throne, but also the acceptance of both aristocrats and locals. (MAK Pictures)

Quinceañera (working title) – New series, 3Q 2015
Cousins Alexis and Jarling are Miami’s premiere Quinceañera party planners and dress shop owners servicing Latin American families as they celebrate their teenager’s transition into womanhood. From the cultural traditions of finding the perfect dress and the father daughter dance to the new American traditions of shooting music videos and mid-party outfit changes – the cousins are constantly working their magic to create memories that will last a lifetime. (High Noon Entertainment)

I Got You Babies (working title) – New series, 1Q 2016
We’ll follow four unique sets of parents over the course of a year as they tackle the ups and downs of being first time parents. (Magilla & Drew Barrymore and Nancy Juvonen’s Flower Films)

AISLE AND STYLE
Dare to Wear – New series, 2Q 2015
Some people get locked into one sense of fashion so strongly that they identify with only one look. In every episode, host and style expert Tai Beauchamp guides two extreme fashion disasters on total opposite sides of the style spectrum. After being shocked to learn that they have to swap clothing, these women will spend time living in one another’s look and then, with new
found understanding, branch out to leave their comfort zone for a head to toe transformation. (Shed Media US)

Brides Gone Styled – New series, 2Q 2015
What happens when a fashion victim’s bad taste threatens to ruin one of the biggest days of her life… her wedding day? In this exciting bridal makeover series, style experts Gretta Monahan and Robert Verdi have made it their mission to take the worst of the worst dressed brides and transform them into the most stunning brides imaginable, leaving their family and friends
speechless! (Half Yard Productions)

Extreme Dream Weddings (working title) – New special, 3Q 2015
Extreme Dream Weddings follows three brides experiencing their most mind-blowing fantasy weddings in some of the unique, most extreme terrains on Earth. It’s each bride’s shot at a madeto-fit fairytale wedding. (Discovery Studios)

#SaveMyStyle (working title) – New series, 3Q 2015
You’ve seen them on Facebook and Instagram – photos of friends who really shouldn’t be wearing that outfit! But finally there’s someone who can help. Celebrity stylist June Ambrose simply can’t resist bringing her distinctive styling skills to the people who reach out through her active online community. On each episode of #SaveMyStyle, June scours her social universe for a person in need of a fashion overhaul, then changes their lives forever by helping them to discover their best personal style. (Haymaker Content)

Swipe Right (working title) – New series, 3Q 2015
Today’s dating world has moved beyond the boy next door, the guy at the end of the bar and the friendly set-up. Dating has gone digital by scrolling through hundreds of online photos and ‘swiping’ to show your interest. Hosted by Clinton Kelly and Devyn Simone, Swipe Right is the groundbreaking new series that brings the traditional makeover show up to date by transforming
not only the wardrobe and attitude of our contributors but their entire social media profile. (Jane Street Ent.)

LIFE’S MILESTONE MOMENTS
Bad Dates, 1 Soul Mate (working title) – New special, 3Q 2015
Each episode recreates the dating misadventures of two women whose love lives play out like Hollywood rom coms, and retells each of their three dating disasters with three very different guys. Despite these seemingly doomed dates, our self-confessed Bridget Jones’ ends up marrying one of these men. (October Films)

Marriage Pact (working title) – New series, 3Q 2015
It’s a cold hard fact that 50% of all marriages in the US result in divorce. It seems that you can boil down what most people deem the best foundation for wedded bliss into two things: compatibility or chemistry. In this new social experiment, we’ll put to the test if the best marriage success comes from marrying your best friend or friend with benefits. (Magical Elves
Inc.)

Married by Mom and Dad (working title) – New series, 4Q 2015
In this new social experiment, men and women who have been unlucky in love have agreed to put their love lives and their futures in the hands of the people who know them best: their parents. Once their parents pick their perfect match they’ll tie the knot to find out if being married by mom and dad leads to happily ever after…or not. (Thinkfactory Media)

Untitled 3Ball Weight Loss Show – New series, 1Q 2016
In each self-contained hour we’ll follow an obese person on the transformation journey of a lifetime. Their journey starts with a declaration: they will go to the object of their affection, declare their romantic intentions, and admit they want to ask them out. But not right now, in 90 days. Our hero promises to make some huge changes in their life – and after they do, they’ll
come back to meet their crush – completely transformed. (3Ball Productions).

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‘Scream’ First Trailer Teases Bella Thorne as New Drew Barrymore (Video)

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MTV is putting on its own version of Wes Craven‘s “Scream,” and during the 2015 MTV Movie Awards, the network released the first trailer for the series, which also revealed the show’s premiere date of June 30.

Young stars Willa Fitzgerald, Amy Forsyth, John Karna, Carlson Young and Amadeus Serafini starred on the pilot, which marks the first foray into television for Kevin Williamson‘s horror franchise.

Jamie Travis (“For a Good Time Call” and MTV’s “Faking It”) directed the pilot, which also features Bella Thorne in a new version of the famous Drew Barrymore death scene that launched the film series.

Under the Dimension TV production umbrella, Harvey and Bob Weinstein will executive produce. Additional executive producers include Wes Craven, Tony DiSanto, Liz Gateley, Marianne Maddalena and Cathy Konrad.

The “Scream” franchise kicked off in 1996 with the first film directed by Craven and starring Neve Campbell. The big-screen adaptations left off with “Scream 4” in 2011, with Emma Roberts leading the newest batch of teenagers getting slaughtered.

“Scream” will premiere June 30 on MTV.

Watch the trailer above.

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‘David Letterman: A Life on Television’ Trailer Reveals Look into History of Late Night TV (Video)

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CBS released the first trailer for “David Letterman: A Life on Television” on Friday, teasing the retrospective on the late-night host’s 31 years on the air.

In the video preview, host Ray Romano begins by saying: “I wouldn’t be here if it wasn’t for David Letterman.”

Romano first performed on “The Late Show” in 1995, and “a week later they offered me this development deal,” he said, referencing the deal that led to his hit sitcom “Everybody Loves Raymond.”

The trailer then offers a brief glimpse of the luminaries that have graced Letterman’s couch over the years, including Bill Murray, Tom Cruise, Drew Barrymore and thousands of others.

We also see some of the musical guests that Letterman has hosted, namely Barry White, Paul McCartney, Bob Dylan and Beyonce.

Letterman announced in April that he would retire from the show after 31 years. His last episode will air May 20. Stephen Colbert is set to take over for Letterman in September.

David Letterman: A Life on Television” will air on CBS on Monday, May 4, at 9.30 p.m. ET.

Watch the trailer above.

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Ellen Albertini Dow, ‘Wedding Singer’ Rapping Granny, Dead at 101

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Ellen Albertini Dow, best known for playing the rapping grandmother in Adam Sandler-Drew Barrymore romantic comedy “The Wedding Singer,” has died at the age of 101, TheWrap has learned.

Dow’s manager Juliet Green confirmed the news.

Dow made her feature film debut in “American Drive-In” in 1985, when she was already 72 years old, and she’s remained a prolific actress since.

Her memorable film roles include Disco Dottie in “54,” lewdly homophobic grandmother Mary Cleary in “Wedding Crashers” and of course Rosie, the rapping granny who stole “The Wedding Singer” with a rousing rendition of “Rapper’s Delight.”

Dow also made the rounds on television, with credits including guest and recurring stints on everything from “Seinfeld” to “Family Guy” to “New Girl.”

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Comedian Mickey Gooch Jr. Joins Rebel Wilson in Romantic Comedy ‘How to Be Single’

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Comedian Mickey Gooch Jr. has joined the ensemble cast of New Line’s romantic comedy “How to Be Single,” which teams him with his real-life girlfriend Rebel Wilson, TheWrap has learned.

Christian Ditter is directing the movie, which also stars Dakota Johnson, Leslie Mann, Alison Brie, Nicholas Braun, Jason Mantzoukas, Jake Lacy and Damon Wayans Jr.

Gooch will play a character named Big Boy in the film, which follows a group of single New Yorkers who each have their own views and approaches towards dating, as chronicled by a young female author writing a book about bachelorettes.

Abby Kohn and Marc Silverstein adapted the popular novel by Liz Tuccillo, while Dana Fox wrote the most recent draft of the script. Fox is also producing “How to Be Single” with Drew Barrymore, Nancy Juvonen and John Rickard.

Production is currently under way in New York, and New Line will release the film next February.

Gooch has drawn comparisons to Jack Black and Zach Galifiankis thanks to his sarcastic sense of humor and strong comedic timing. As the head of his own production company Skit Bags, he has also executive produced and directed some of his own projects, including the short films “Magnus” and “Landing Afoot,” as well as Mike Hermosa’s upcoming indie comedy “The Head Thieves.”

Gooch is represented by Atlas Artists.

Catherine Hardwicke in Talks to Direct ‘Love Letters to the Dead’ for Fox 2000

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Seven years after directing the first film in the billion-dollar-grossing “Twilight” franchise, Catherine Hardwicke is in talks to direct another YA phenomenon, Ava Dellaira’s “Love Letters to the Dead” for Fox 2000 and Temple Hill Entertainment, an individual with knowledge of the deal told TheWrap.

Dellaira adapted her own debut novel, which was published in April 2014 by Farrar, Straus and Giroux Books for Young Readers. The story follows a teenage girl named Laurel who’s assigned to write a letter to a dead person for her English class. She chooses her late sister’s favorite musician, Kurt Cobain, who also died young. Inspired by the cathartic assignment, she sets out to fill a notebook with letters to dead celebrities such as Amy Winehouse, Janis Joplin, Heath Ledger, Judy Garland and Amelia Earhart, among others. The letters help Laurel process her feelings and grief surrounding her older sister’s sudden and mysterious death.

Temple Hill’s Wyck Godfrey and Marty Bowen, who worked with Hardwicke on “Twilight,” are producing the movie coming off their recent YA hits “The Fault In Our Stars” and “The Maze Runner.” Fox 2000 executives Elizabeth Gabler and Erin Siminoff will oversee the project for the studio.

A graduate of the famed Iowa Writers’ Workshop that was depicted on HBO’s “Girls,” Dellaira was encouraged to write “Love Letters to the Dead” by Stephen Chbosky, the author of “The Perks of Being a Wallflower.” Last year, Vanity Fair named “Love Letters” one of 10 new novels that could fuel the teen-movie comeback.

In addition to having experience spinning hits out of popular YA novels like “Twilight,” Hardwicke also directed the female-driven drama “Thirteen” and most recently wrapped the indie “Miss You Already,” which stars Drew Barrymore and Toni Collette. She’s represented by CAA, Manage-ment and Sloane, Offer, Weber & Dern.

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‘Scream’ Star Bella Thorne Tells Seth Meyers She Wasn’t Born When Original Movie Was Released

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Bella Thorne, one of the stars of “Scream,” MTV’s adaptation of the famous horror franchise, wasn’t even born when the first movie was released in 1996.

On “Late Night With Seth Meyers” on Thursday, the actress revealed that at 17 years old, she missed the first movie by nearly a year.

“I remember when the first Scream film came out, it was really exciting for me,” Meyers said. “A little depressing for me: You were not born when it came out.”

But that didn’t stop Thorne from becoming a fan of the franchise. The former “Shake It Up” star explained that she’s been watching horror films since she was a child, despite her mother’s protests.

“My mother would always literally be like, ‘Bella, you can’t watch horror films, you’re too young.’ But I grew up loving the horror genre,” she said. “Also, I have older siblings.”

As Meyers pointed out, the “Scream” franchise is known for featuring well-known actresses like Drew Barrymore and Jada Pinkett-Smith who don’t survive past the opening minutes. Thorne, a former Disney Channel star, certainly fits that bill.

MTV released the first eight minutes on the horror series on Thursday, and in the clip Thorne doesn’t last long after being targeted by the show’s masked killer.

“Scream” premieres on MTV June 30 at 10 p.m. ET.

Watch the video.

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MTV’s ‘Scream’ Unleashes First 8 Minutes of Show Ahead of Premiere (Video)

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MTV has released the first eight minutes of their upcoming series “Scream” ahead of its June 30 premiere.

The long clip from the adaptation of the popular slasher film franchise starring Courteney Cox and Neve Campbell features Bella Thorne as a high school mean girl receiving messages on her phone with videos taken from inside her house.

By the time she discovers her boyfriend’s head floating in her hot tub, it’s clear the former Disney Channel star joins the long “Scream” tradition of actresses who don’t survive past the opening minutes, including Drew Barrymore, Jada Pinkett Smith and more recently, Lucy Hale and Anna Paquin.

The clip also gives a glimpse of the show’s new take on the iconic Ghostface mask. The knife-wielding killer’s latest mask maintains the open-mouthed expression of the original, but on a much more realistic face.

“Scream” premieres on MTV on June 30 at 10 p.m. ET

Watch the video.

Get More:
MTV Shows

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Elizabeth Banks in Talks to Direct New ‘Charlie’s Angels’ Film For Sony

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Sony is rebooting the “Charlie’s Angels” franchise, and Elizabeth Banks is in talks to direct the film, TheWrap has learned.

Banks will also produce with her husband and producing partner, Max Handelman. The studio is still searching for a writer.

Banks directed “Pitch Perfect 2” this summer, which starred Anna Kendrick, Brittany Snow and Rebel Wilson and has made $183.7 million domestically. She also directed a segment of “Movie 43” in 2013.

“Charlie’s Angels” will be based on the hit television series from the late 1970s about three female detectives, played by Farrah Fawcett, Kate Jackson and Jaclyn Smith, who worked for mysterious benefactor named Charlie.

Fawcett left after the first season and was replaced by Cheryl Ladd. She made several guest appearances in seasons after that, and Tanya Roberts also joined the show later.

In 2000, Drew Barrymore, Cameron Diaz and Lucy Liu took the film to the big screen, which was directed by McG. Columbia Pictures produced and distributed the film. It was followed by a sequel in 2003, titled “Charlie’s Angels: Full Throttle.”

Banks has also starred in the “Pitch Perfect” franchise, “Wet Hot American Summer” and “Scrubs.” Audiences will next see the actress on screen in “The Hunger Games: Mockingjay, Part 2,” hitting theaters on Nov. 20.

She is repped by UTA, Untitled Entertainment and Ziffren Brittenham.

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Drew Barrymore Gets Smothered by Puppies During Jimmy Fallon’s Furry Quiz (Video)

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Drew Barrymore got to play TV’s furriest game when she took on Jimmy Fallon in “Pup Quiz” on Tuesday’s “Tonight Show.”

The pair were each asked an animal trivia question and whoever got it right won an adorable Golden Retriever puppy. If they answered incorrectly, their opponent scored a slobbery puppy kiss.

The “Miss You Already” actress got the first question wrong and sacrificed her pup to Fallon, who had trouble controlling the bundle of furry joy.

The little Retriever even started gnawing on Fallon’s recently injured hand, causing him to wince in pain.

“When does it get weird that I am letting them lick my ears?” Barrymore later asked from under a lapful of dogs.

While she may have had a tongue in her ear, it didn’t last for long. Fallon got the final question regarding the weight of a blue whale correct and won all the puppies.

“The Tonight Show” airs at 11:35 p.m. on NBC.

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‘Miss You Already’ Review: Drew Barrymore, Toni Collette Elevate Cancer Drama

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We live in our bodies every second of our lives, and yet we sometimes have terrifyingly little control over them.

Bonding over this mutual fear is at the heart of “Miss You Already,” a cancer melodrama, focused on two late-thirtysomething best friends, that singlehandedly elevates the genre through its emotional complexity, its medical candor, and its openhearted willingness to laugh no matter the situation.

BFFs since grade school, Londoners Jess (Drew Barrymore) and Milly (Toni Collette) are together in crisis at the start of Catherine Hardwicke‘s film. Do-gooder Jess encounters fertility issues when she and her boyfriend Jago (Paddy Considine) try for their first child, while rock publicist Milly, already the mother of two, is diagnosed with breast cancer. Happily, Jess soon finds herself with child, but Milly’s eventual remission proves short-lived.

The neat polarity of Jess and Milly’s diametrically opposed fates belies how powerfully intimate, authentic, and lived-in their journeys turn out to be. Long known for her adolescent-centric fare like “Twilight” and “Thirteen,” Hardwicke achieves an emotional breakthrough here by working with her most experienced cast ever. (In interviews, the filmmaker has been frank about borrowing from her personal experience of watching her father’s battle against cancer.)

Unlike so many of the female invalids we see delicately dying on screen, Milly is humanly selfish and vain, bordering on petulant, as a patient. She’s the kind of woman, after all, who sports elaborate eye make-up and a funky leather jacket with spiky Grace Jones shoulder pads while explaining chemo to her young kids. After four decades of rapt male attention, her struggle to accept the necessity of her double mastectomy is as heartrending as her iron-jawed determination to have her head shaved (by the legendary Frances de la Tour in a cameo) is inspiring.

In the best role she’s had in years, Collette reminds us what makes her so magnetically vulnerable and quietly unpredictable, especially as Milly’s marriage to her baby-faced, ex-rocker husband Kit (Dominic Cooper) becomes strained once intimacy and physical attraction are suddenly diminished by medical treatment. Nor is Milly’s rocky relationship with her actress mother (Jacqueline Bisset in a bleached-blond bob) a source of reliable comfort.

There’s perhaps no better advertisement for female friendship than when Milly reveals to Jess what she doesn’t have the guts to show Kit: the two furious red scars that run across her chest after her surgery. But Morwenna Banks’ screenplay features a relationship that’s both idealistic and realistic. In her time of need, Milly becomes a more difficult wife, daughter, and friend to deal with. During an impromptu getaway between the two to the moody moors immortalized in “Wuthering Heights” — no prim Austen tomes for this bohemian pair — Milly commits a profound betrayal that accidentally endangers both Jess’s pregnancy and the solidity of their friendship.

Barrymore has much less to do, particularly with an overextended storyline about her reluctance to tell Milly that she’s pregnant because she doesn’t want to point out that the rest of her life is going well, or that Milly won’t be able to watch her best friend’s child grow up. But the beaming Barrymore is essential to what makes the film exhilaratingly good-natured: its sense of humor. Virtually every scene features a laugh-out-loud joke — a few improvised by the actresses — that prove nearly tonally flawless and cement the friendship between Jess and Milly as one for the ages.

Unflinching yet unburdened, “Miss You Already” is like the best kind of hug: warm, reassuring, cathartic, and a fleeting but vital reminder that there’s at least as much good in the world as there is bad.

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